This example is one of mine, using full advantage of the Bandit's 2-channel amp and dual independent speakers. It shows how easy it is to point a few barks out of the TOA horn speaker while the cottontail screams from a more general location using the cone without changing files, balance, or speaker swiches. Add another file using just the rabbit in a single channel in an adjacent location, and a tricky caller like Al can make a coyote bark up the canyon with a single touch of a button, hopefully evoking a territorial response to go with that hungry feeling. And then switch back to straight rabbit distress with another single button punch.
As you can see, a lot can be done with creative editing. I pay full attention to the field of fire and targets. And I never have to look at the remote.
Or maybe you'd like to try it in a different fashion, and get the rabbit to scream up the canyon with the coyote in front of you.
These two files sound like night and day on the Big Country Bandit. They sound identical on my FX5.
Al, maybe one of these smart young up-and-coming hunters and wannabe sound editors will be sending us a few files to try one of these days. There are lots of hunters, and lots of sound editors, but very few sound editors who know squat about hunting.
