Not angered at all ASmith. It was a good question...I was just having some fun with you. To me, a toneboard that sticks under pressure is like having a bolt action rifle that the bolt sticks and jams. Useless in the field.
Mikeymike, Yes the air channel length will determine the pitch. Basically, the sound is produced by the reed slapping the toneboard. The longer the reed...the more travel up and down, thus a lower sound frequency/pitch. The shorter a reed, the shorter the travel....thus, higher frequency. Good question. The barrel hollow is the end of the call that I bored out...the exhaust.
Ok, the air channels have been cut on these and drilled them to allow air all the way through. I tested them and 5 of them had to be taken back to the sander and do some work on the tip end.
Here's an example of a toneboard that is too flat and one too steep.
The top one is too flat. Very easy to blow, but locks up under pressure, due to not enough arc in the toneboard.
The bottom one can handle a ton of pressure, but due to being so steep, it is hard to blow.
Both of these are going to re-meet the sanding disk and get new toneboard arcs.
I'm recording a couple samples of cottontail -vs- jackrabbit ones now...
Tony